Deathday: Robert Bloch 1994 - Father of PSYCHO

(This photo is from my 1989 interview with RB.)

Robert Albert Bloch (April 5, 1917 – September 23, 1994) was a prolific American writer, primarily of crime, horror and science fiction.

Bloch wrote hundreds of short stories and over twenty novels, usually crime fiction, science fiction and, perhaps most influentially, horror fiction (Psycho). He was one of the youngest members of the Lovecraft Circle. H. P. Lovecraft was Bloch's mentor and one of the first to seriously encourage his talent. He was a contributor to pulp magazines such as Weird Tales in his early career, and was also a prolific screenwriter. He was the recipient of the Hugo Award (for his story "That Hell-Bound Train"), the Bram Stoker Award, and the World Fantasy Award. He served a term as president of the Mystery Writers of America. Robert Bloch was also a major contributor to science fiction fanzines and fandom in general. In the 1940s, he created the humorous character Lefty Feep in a story for Fantastic Adventures. He also worked for a time in local vaudeville and tried to break into writing for nationally-known performers. He was a good friend of the science fiction writer Stanley G. Weinbaum. In the 1960s, he wrote three scripts for Star Trek. In 2008, The Library of America selected Bloch’s story “The Shambles of Ed Gein” for inclusion in its two-century retrospective of American True Crime.

Life

Bloch was born in Chicago, the son of Raphael "Ray" Bloch (1884 - 1952), a bank cashier, and his wife Stella Loeb (1880 - 1944), a social worker, both of German-Jewish descent.

Bloch died in 1994 in Los Angeles. He was cremated and interred in the Room of Prayer columbarium at Westwood Village Memorial Park Cemetery in Los Angeles.

Career

During the 1930s, Bloch was an avid reader of the pulp magazine Weird Tales. H. P. Lovecraft, a frequent contributor to that magazine, became one of his favorite writers. As a teenager, Bloch befriended and corresponded with Lovecraft, who gave the promising youngster advice on his own fiction-writing efforts.[1] Bloch's first professional sales, at the age of just seventeen, were to Weird Tales with the short stories "The Feast in the Abbey" and "The Secret in the Tomb". Bloch's early stories were strongly influenced by Lovecraft. Indeed, a number of his stories were set in, and extended, the world of Lovecraft's Cthulhu Mythos. It was Bloch who invented, for example, the oft-cited Mythos texts De Vermis Mysteriis and Cultes des Goules.

The young Bloch appears, thinly disguised, as the character "Robert Blake" in Lovecraft's story "The Haunter of the Dark", which is dedicated to Bloch. In this story, Lovecraft kills off the Bloch character, repaying a courtesy Bloch earlier paid Lovecraft with his tale "The Shambler from the Stars", in which the Lovecraft-inspired figure dies; the story goes so far as to use Bloch's then-current street address in Milwaukee. (Bloch even had a signed certificate from Lovecraft [and some of his creations] giving Bloch permission to kill Lovecraft off in a story.) Bloch later wrote a third tale, "The Shadow From the Steeple," picking up where "The Haunter of the Dark" finished.

After Lovecraft's death in 1937, Bloch continued writing for Weird Tales, where he became one of its most popular authors. He also began contributing to other pulps, such as the science fiction magazine Amazing Stories. He gradually evolved away from Lovecraftian imitations towards a unique style of his own. One of the first distinctly "Blochian" stories was "Yours Truly, Jack the Ripper", which was published in Weird Tales in 1943. The story was Bloch's take on the Jack the Ripper legend, and was filled out with more genuine factual details of the case than many other fictional treatments.[2] Bloch followed up this story with a number of others in a similar vein dealing with half-historic, half-legendary figures such as the Man in the Iron Mask ("Iron Mask," 1944), the Marquis de Sade ("The Skull of the Marquis de Sade," 1945) and Lizzie Borden ("Lizzie Borden Took an Axe...," 1946).

Campaign manager for Carl Zeidler

In 1939, Bloch was contacted by James Doolittle, who was managing the campaign for a little-known assistant attorney in Milwaukee, Wisconsin named Carl Zeidler. He was asked to work on his speechwriting, advertising, and photo ops, in collaboration with Harold Gauer. They created elaborate campaign shows; in Bloch's 1993 autobiography, Once Around the Bloch, he gives an inside account of the campaign, and the innovations he and Gauer came up with — for instance, the original releasing-balloons-from-the-ceiling shtick. He comments bitterly on how, after Zeidler's victory, they were ignored and not even paid their promised salaries. He ends the story with a wryly philosophical point:

If Carl Zeidler had not asked Jim Doolittle to manage his campaign, Doolittle would never have contacted me about it. And the only reason Doolittle knew me to begin with was because he read my yarn ("The Cloak") in Unknown. Rattling this chain of circumstances, one may stretch it a bit further. If I had not written a little vampire story called "The Cloak," Carl Zeidler might never have become mayor of Milwaukee.

Psycho and screenwriting

Bloch became most famous as the author of the novel Psycho, one of the first examples of modern urban horror relying on realism rather than the supernatural[citation needed], which was adapted by Joseph Stefano into the screenplay for the 1960 film of the same name, directed by Alfred Hitchcock. He had written an earlier split-personality short story, "The Real Bad Friend," which appeared in the February, 1957 Mike Shayne Mystery Magazine, that foreshadowed the 1959 novel Psycho. His best-known work as a screenwriter is probably The Night Walker (1964), which he wrote for William Castle, although he also penned several scripts for the original series of Star Trek including "What Are Little Girls Made Of?," "Wolf in the Fold," and "Catspaw." He seemed happiest, among his television work, with his contributions to the Boris Karloff-hosted series Thriller.

Bloch also contributed to Harlan Ellison's science fiction anthology, Dangerous Visions. His story, "A Toy for Juliette," evoked both the Marquis de Sade and Jack the Ripper. In fact, Ellison's own contribution to the anthology was a direct follow-up of Bloch's, and was titled "The Prowler in the City at the Edge of the World."

Writings on Bloch

An early reference work by Australia's Graeme Flanagan, Robert Bloch: A Bio-Bibliography (1979) includes valuable material including interviews with Bloch and memoirs by fellow writers such as Harlan Ellison, Mary Elizabeth Counselman and Fritz Leiber.

Randall D. Larson has authored three reference books about Robert Bloch: The Robert Bloch Reader's Guide (1986, a literary analysis of Bloch's entire output through 1986), The Complete Robert Bloch (1986, an illustrated bibliography of Bloch's writing), and The Robert Bloch Companion (1986, collected interviews). In addition, an issue of Paperback Parade magazine (No. 39, August 1994) contains two articles by Larson on collecting Bloch - "Paperblochs: Robert Bloch in Paperback" and "Robert Bloch in Paperback."

There is an essay on Bloch's work, with particular reference to the novels Psycho and The Scarf, in S. T. Joshi's book The Modern Weird Tale (2001). Joshi examines Bloch's literary relationship with Lovecraft in a further essay in The Evolution of the Weird Tale (2004).

A new essay collection focusing on a range of Bloch's work is Robert Bloch: the Man Who Collected Psychos, edited by Benjamin J. Szumskyj (McFarland, 2009).

Bibliography

Novels

The Scarf (1947, rev. 1966)
Spiderweb (1954)
The Kidnapper (1954)
The Will to Kill (1954)
Shooting Star (1958) (note: published in a double volume with the ss collection Terror in the Night)
This Crowded Earth (1958)
Psycho (1959) (adapted into the 1960 film, Psycho, directed by Alfred Hitchcock; later remade in 1998 by Gus Van Sant)
The Dead Beat (1960)
Firebug (1961)
The Couch (1962)
Terror (1962)
Ladies Day / This Crowded Earth (1968)
The Star Stalker (1968)
The Todd Dossier (1969)
Sneak Preview (1971)
It's All in Your Mind (1971)
Night World (1972)
American Gothic (1974)
Strange Eons (1978) (a Cthulhu Mythos novel)
There Is a Serpent in Eden (1979)
Psycho II (1982) (unrelated to the film of the same name)
Night of the Ripper (1984)
Unholy Trinity (1986) (collects The Scarf, The Couch and The Dead Beat)
Lori (1989)
Screams: Three Novels of Suspense (collects The Will to Kill, Firebug and The Star Stalker)
Psycho House (1990) (unrelated to the films Psycho II, Psycho III or Psycho IV: The Beginning)
The Jekyll Legacy (1991)
Yours Truly, Jack the Ripper (1991) (Pulphouse; a 100-copy hardbound signed edition of Bloch's famous short story)
The Thing (1993) (Pretentious Press; a limited edition of 85 copies, only 9 bound in cloth, of the author's first appearance in print - a parody of H.P. Lovecraft which originally appeared in the April 1932 issue of The Quill, his Lincoln High School literary magazine)
Psycho - The 35th Anniversary Edition (1994) (Gauntlet Press; limited edition of 500 copies; the last work to be signed by Bloch before his death; includes a new intro by Richard Matheson and a new Afterword by Ray Bradbury)

Short-story collections

The Opener of the Way (1945)
Sea Kissed (1945)
Terror in the Night (1958) (note: published in a double volume with the novel Shooting Star)
Pleasant Dreams: Nightmares (1960)
Blood Runs Cold (1961)
Nightmares (1961)
More Nightmares (1961)
Yours Truly, Jack the Ripper (1962)
Atoms and Evil (1962)
Horror 7 (1963)
Bogey Men (1963)
House of the Hatchet (1965)
The Skull of the Marquis de Sade (1965)
Tales in a Jugular Vein (1965)
Chamber of Horrors (1966)
The Living Demons (1967)
Dragons and Nightmares (1968)
Bloch and Bradbury (1969)
Fear Today, Gone Tomorrow (1971)
House of the Hatchet (1976)
The King of Terrors (1977)
The Best of Robert Bloch (1977)
Cold Chills (1977)
Out of the Mouths of Graves (1978)
Such Stuff as Screams Are Made Of (1979)
Mysteries of the Worm (1981)
Midnight Pleasures (1987)
Lost in Space and Time With Lefty Feep (1987)
The Complete Stories of Robert Bloch: Volume 1: Final Reckonings (1987)
The Complete Stories of Robert Bloch: Volume 2: Bitter Ends (1987)
The Complete Stories of Robert Bloch: Volume 3: Last Rites (1987)
Fear and Trembling (1989)
Mysteries of the Worm (rev. 1993) from Chaosium books
The Early Fears (1994)
Flowers from the Moon and Other Lunacies (1998)
The Lost Bloch: Volume 1: The Devil With You! (1999)
The Lost Bloch: Volume 2: Hell on Earth (2000)
The Lost Bloch: Volume 3: Crimes and Punishments (2002)
The Reader's Bloch: Volume 1: The Fear Planet and Other Unusual Destinations (2005)
The Reader's Bloch: Volume 2: Skeleton in the Closet and Other Stories (2009)

Non-fiction

The Eighth Stage of Fandom (1962)
Out of My Head (1986)
Once Around the Bloch: An Unauthorized Autobiography (1993)
Robert Bloch: Appreciations of the Master (1995)

Movies

The following is a list of films based on Bloch's work. For some of these he wrote the original screenplay; for others, he supplied the story or a novel (as in the case of Psycho) on which the screenplay was based.

Psycho (1960)
The Couch (1962)
The Cabinet of Dr Caligari (1962)
Strait-Jacket (1964)
The Night Walker (1964)
The Skull (1965)
The Psychopath (1966)
Torture Garden (1967)
The Deadly Bees (1967)
The House That Dripped Blood (1970)
Asylum (1972)
The Cat Creature (Tv movie 1973)
The Dead Don't Die (Tv movie 1974)
The Amazing Captain Nemo (1978)
Psycho (1998)

References

1.^ Haining, Peter (1975). The Fantastic Pulps. Victor Gollancz Ltd. ISBN 0-575-02000-8.
2.^ Zinna, Eduardo. "Yours Truly, Jack the Ripper". Casebook: Jack the Ripper.

Masters of Horror: The Black Cat (2007) Stuart Gordon

The Black Cat is the eleventh episode of the second season of Masters of Horror, directed by Stuart Gordon from a screenplay by Gordon and Dennis Paoli. It was broadcast on Showtime on January 19, 2007. The DVD was released on July 17, 2007.

Plot

The story has the great horror author Edgar Allan Poe (Jeffrey Combs) suffering from writer's block and short on cash, tormented by a black cat that will either destroy his life or inspire him to write one of his most famous stories. The story of the same name by Poe is woven in with fictional happenings and details from his life.

Opening Credits Sequence

The episode's opening credits (after the series credits) feature several of Irish artist Harry Clarke's celebrated early 20th century illustrations for Poe's stories.

The Venture Brothers: Escape to the House of Mummies Part II (2006)

"Escape to the House of Mummies Part II" is an episode of the animated television series The Venture Bros., the fourth episode of the second season. Parodying old adventure series, the episode is intentionally convoluted, full of non sequiturs and open ended digressions, with key plot elements purposefully omitted. The "Part II" in the title is a joke; there is no Part I. The next episode preview at the end of the episode (a first for the series) promises an equally non-existent part III.

Plot

Previously on "The Venture Bros." ... the team found themselves involved in a convoluted time travel epic involving an Egyptian cult of Osiris and historical figures such as Dr. Sigmund Freud and Caligula, with plenty of various adventure and action clichés in abundance.

After the "recap" of the nonexistent episode "Escape to the House of Mummies Part I," we join the team who are now trapped in a room deep within a pyramid, apparently in the present day. The only possible exit is through the head of a jackal sculpture on one wall, but even Dean's slender shoulders are too broad for him to squeeze through. Exasperated, Dr. Venture heaps derision on his sons' shortcomings as boy adventurers, and begins to crawl through the opening himself. However, he is stopped when the walls, from which spikes now protrude, suddenly begin closing in.

The team is out of ideas, until Hank suggests they call Dr. Orpheus for help. Venture balks at the idea, and Brock sarcastically tells the boys to prepare for death since their father would rather let them all die horribly than make a simple call. Fuming, Dr. Venture contacts Orpheus (who is using his magic to rake leaves in the compound's yard) and explains the situation, although he cannot provide their exact location. Without explanation, Orpheus urges Dean to imagine his daughter Triana, naked and tongue-kissing him. When Dean complies, Orpheus uses the strong emotional response to locate them and disable the trap's mechanism, as well as their wrist communicator watches. Dr. Venture then crawls through the jackal's head, leaving the rest of the team in the momentarily-safe room while he seeks help.

Dr. Venture flies the X-1 back to the Venture Compound (damaging the statue out front when he hurriedly lands) and rummages through his laboratory for the equipment he needs to rescue his sons and Brock. Orpheus enters, and Venture's irritation towards the necromancer leads them into another debate on the relative merits of science versus magic. Completely forgetting the urgency of the current situation, they agree to settle the issue with a bet: whoever can shrink themselves the most proves his method is "better." They agree to meet back in the lab the next day to hold their contest. As he leaves, Orpheus reminds Venture he sold Jonas Sr.'s shrink ray to Pete White and Master Billy Quizboy at the tag sale. Venture, clearly having forgotten this, is rather unsettled.

Brief scenes show the progress of Brock and the boys, who have managed to escape the cell on their own. The boys have adopted a "friendly" mummy, and Dean is decapitated but remains alive (apparently through "pyramid power"). Brock, Dean, and Hank, presumably stealing the cult's time machine, abruptly end up in the 1800s. Brock puts Edgar Allan Poe in a headlock, apparently out of amusement over Poe's large head. Just as abruptly, Poe travels back to the present day with Hank, Dean, and Brock.

In search of the shrink ray, Dr. Venture breaks into the Conjectural Technologies mobile home and trashes the place. White and Quizboy catch him in the act and berate him for not simply asking for the object. At Quizboy's prompting, White admits that he disassembled the shrink ray: he couldn't get it to work, and somehow concluded that "a treasure map or something" was jamming its components. Venture initially despairs at the small paper bag that contains the parts, but the three resolve to work together to reassemble it.

Meanwhile, Triana enters her room to find her father standing in front of the closet, from which unearthly light pours out. Stunned and upset, Triana berates him for not telling her that her closet was actually a portal to Hell (a necropolis, as Orpheus phrases it). Not only did she think she was going insane, but her resulting fear of the closet has prevented her from changing clothes for a long time. Orpheus says that he just thought it was a phase that teenagers went through, like Archie and Jughead. When her anger fails to fade, Orpheus casts a sleep spell on her and erases the event from her memory.

"Meanwhile," if that has any meaning, Brock and the boys have used the time machine again... but thanks to Hank, have only traveled to the previous morning. As a result, they (along with Poe and Sigmund Freud, who has joined the proceedings without explanation) witness their own capture by the Osiris cult.

In the otherworldly necropolis beyond Triana's closet, Dr. Orpheus approaches the throne of his master. Sitting on the throne however, is a three-headed dog which snarls at Orpheus, prompting the necromancer to strike it with a fireball. The dog (voiced by H. Jon Benjamin) complains to Orpheus about the attack, revealing that it is actually Orpheus's teacher in animal form. They begin a long discussion about Orpheus' lack of friends while the master sorcerer licks his own crotch with another of his heads (and pontificates on the pleasures thereof).

Back at the compound, Venture, White and Quizboy have become distracted from fixing the shrink ray by a "guilty pleasures" questionnaire whose intent Quizboy apparently misunderstands. After finally reassembling the device, they test it on H.E.L.P.eR. and successfully shrink him to an inch or so tall. Deciding that they need to test a human subject, Venture claims that his family needs him and White cites his albinism as an obstacle. Quizboy attempts to beg off due to his virginity, but the others force him to "volunteer" himself. The ray seems only partially successful: successive shots first shrink his lungs, then his head.

Brock, the boys, and their time-lost companions Poe, Freud, and the similarly-unexplained Caligula have apparently teamed up with an earlier version of Brock and are planning an assault on the Osiris cult.

Orpheus and his teacher now lie on the ground, looking up at the stars and pondering how insignificant the sight makes them feel. With a few more words of encouragement, the master admits that Orpheus is one of his best students and urges him to win the "incredibly gay" contest against Venture.

White, Quizboy and Venture finally conclude that trying to repair the shrink ray is a hopeless effort. Venture glumly acknowledges that he is unable to even repair anything his father built, and that he has always been a failure. Quizboy, however, shows him an old "Rusty Venture" lunchbox that he bought on eBay. The front depicts the young Rusty in his boyhood adventurer days, riding a pterodactyl. Venture reflects that he might not be a very good super scientist, but he was a darn good boy adventurer. White agrees and Quizboy admits that Rusty inspired him to become a boy genius.

Orpheus approaches and states that he can make himself no smaller than he already is, and concedes the contest to Venture. Grudgingly, Venture admits that he did no better. In sudden camaraderie, the group leaves for Orpheus' section...but Orpheus mentions a nagging feeling that they have forgotten something. As Venture returns to turn off the lights in the lab, he steps on the still-miniaturized H.E.L.P.eR.

After the credits is a teaser for the (supposedly) upcoming episode "Escape to the House of Mummies Part III": somewhere/when, Hank is shivering in an Arctic wind, begging Brock to kill him. Brock turns to his other self, and tells him to cut open the body of Poe so they can stuff Hank inside and save him from hypothermia. The other Brock slices open the carcass of Poe, recoiling with the comment "and I thought he smelled bad on the outside!" The first Brock stands with the shivering Hank in his arms, and lets out an anguished scream of "DOOOOOC!"

Dickens of London (1976) TV Miniseries

Dickens of London is a 1976 television miniseries from Yorkshire Television based on the life of English novelist Charles Dickens. Both Dickens and his father John were played by British actor Roy Dotrice. The series was written by Wolf Mankowitz and Marc Miller. In the United States, the series was shown in 1977.

The series of 13 episodes of 60 minutes was directed by Michael Ferguson (6 episodes) and Marc Miller (7 episodes), who was also the series' producer, with David Cunliffe as executive producer. Mankowitz's book, Dickens of London, published by Weidenfeld and Nicolson in 1976, was based on the detailed research he made while writing the screenplay.

Background

Each of the 13 episodes of Dickens of London is a separate flashback, with Charles Dickens (Roy Dotrice), by now an internationally famous novelist, in America during a reading tour of 1869, looking back over his life. Dickens the boy (Simon Bell) is shown unhappily pasting labels onto pots of shoe blacking, while Dickens as a young man (Gene Foad) is revealed as a young genius who is becoming aware of his powers and trying to find his own way in the world. Mary Hogarth (Lois Baxter) is the middle one of the three Hogarth daughters and is portrayed as the one person with whom Dickens seems to have been able to share his work with. She died suddenly aged seventeen and Dickens wore her ring on his little finger for the rest of his life. Georgina Hogarth (Christine McKenna), the youngest of the three Hogarth daughters, comes to live with the couple at the request of her oldest sister Catherine Dickens to help run the household. The real life relationship Dickens developed with the young actress Ellen Ternan is not mentioned in the series, nor is Dickens' separation from his wife, Catherine, in 1858.

The series instead focuses on Dickens' improvident father, John Dickens (Roy Dotrice), who was a Naval clerk and who always spent more than he earned. He is portrayed as an alcoholic and that this was the source of the family's financial difficulties. The script includes passages from Dickens' own works, woven skilfully into the dialogue spoken by the series' characters, creating recognizable signposts for readers of Dickens' work.

Episodes

Episode 1: Mask (broadcast 28 September 1976), Episode 2: The Deed (broadcast 5 October 1976), Episode 3: Blacking (broadcast 12 October 1976), Episode 4: Love (broadcast 19 October 1976), Episode 5: Success (broadcast 26 October 1976), Episode 6: Fame (broadcast 2 November 1976), Episode 7: Money (broadcast 9 November 1976), Episode 8: Possession (broadcast 16 November 1976), Episode 9: Dreams (broadcast 23 November 1976), Episode 10: Magic (broadcast 30 November 1976), Episode 11: Nightmare (broadcast 7 December 1976), Episode 12: Angel (broadcast 14 December 1976), Episode 13: Memories (broadcast 21 December 1976).

Cast

Roy Dotrice ... Charles Dickens
Roy Dotrice ... John Dickens
Diana Coupland ... Elizabeth Dickens
Adrienne Burgess ... Catherine Dickens
Gene Foad ... Charles Dickens as a young man
Lois Baxter ... Mary Hogarth
Simon Bell ... Charles Dickens as a boy
Graham Faulkner ... Frederick Dickens
Holly Palance ... Miss Baldwin
T.R. Bowen ... John Forster
Robert Longden ... Hablot Knight Browne
Lynsey Baxter ... Orfling
Paul Lavers ... James Lamert
Michael Macowan ... Sir Giles
Claire McLellan ... Letitia Dickens
Pheona McLellan ... Fanny Dickens as a Child
George Waring ... Huffam
Karen Dotrice ... Maria Beadnell
Derek Francis ... Stage Manager
Raymond Francis ... Mr. Beadnell
Robin Halstead ... Kolle
Richard Hampton ... Daniel Maclise
William Hoyland ... Count D'Orasy
Patsy Kensit ... young Georgina Hogarth
Christine McKenna ... adult Georgina Hogarth
Ben Kingsley ... Dr. John Elliotson
Richard Leech ... Mr. Hogarth
Anthony May ... Hullah
John Nettles ... Mr. Macrone
Vernon Dobtcheff ... Legal gentleman
Connie Booth ... Sophie

Deathday: Mystery Author Agatha Christie 1976

Dame Agatha Christie, DBE, (15 September 1890 – 12 January 1976), was a British crime writer of novels, short stories and plays. She also wrote romances under the name Mary Westmacott, but she is best remembered for her 80 detective novels—especially those featuring Hercule Poirot and Miss Jane Marple—and her successful West End theatre plays.

According to the Guinness Book of World Records, Christie is the best-selling writer of books of all time and, with William Shakespeare, the best-selling author of any kind. Only the Bible has sold more than her roughly four billion copies of novels. According to UNESCO, Christie is the most translated individual author, with only the collective corporate works of Walt Disney Productions surpassing her. Her books have been translated into at least 103 languages.

Christie's stage play The Mousetrap holds the record for the longest initial run: it opened at the Ambassadors Theatre in London on 25 November 1952 and as of 2010 is still running after more than 23,000 performances. In 1955, Christie was the first recipient of the Mystery Writers of America's highest honour, the Grand Master Award, and in the same year Witness for the Prosecution was given an Edgar Award by the MWA for Best Play. Most of her books and short stories have been filmed, some many times over (Murder on the Orient Express, Death on the Nile and 4.50 From Paddington for instance), and many have been adapted for television, radio, video games and comics.

In 1968, Booker Books, a subsidiary of the agri-industrial conglomerate Booker-McConnell, bought a 51 percent stake in Agatha Christie Limited, the private company that Christie had set up for tax purposes. Booker later increased its stake to 64 percent. In 1998, Booker sold its shares to Chorion, a company whose portfolio also includes the literary estates of Enid Blyton and Dennis Wheatley.

In 2004, a 5,000-word story entitled The Incident of the Dog's Ball was found in the attic of the author's daughter. This story was the original version of the novel Dumb Witness. It was published in Britain in September 2009 in John Curran's Agatha Christie's Secret Notebooks: Fifty Years Of Mysteries, alongside another newly discovered Poirot story called The Capture of Cerberus (a story with the same title, but a different plot, to that published in The Labours Of Hercules). On November 10, 2009, Reuters announced that The Incident of the Dog's Ball will be published by The Strand Magazine.

Disappearance

In late 1926, Agatha's husband, Archie, revealed that he was in love with another woman, Nancy Neele, and wanted a divorce. On December 8, 1926, the couple quarreled, and Archie Christie left their house Styles in Sunningdale, Berkshire, to spend the weekend with his mistress at Godalming, Surrey. That same evening Agatha disappeared from her home, leaving behind a letter for her secretary saying that she was going to Yorkshire. Her disappearance caused an outcry from the public, many of whom were admirers of her novels. Despite a massive manhunt, she was not found for eleven days.

On December 19, 1926, Agatha was identified as a guest at the Swan Hydropathic Hotel (now the Old Swan Hotel) in Harrogate, Yorkshire, where she was registered as 'Mrs Teresa Neele' from Cape Town. Agatha gave no account of her disappearance. Although two doctors had diagnosed her as suffering from psychogenic fugue, opinion remains divided as to the reasons for her disappearance. One suggestion is that she had suffered a nervous breakdown brought about by a natural propensity for depression, exacerbated by her mother's death earlier that year and the discovery of her husband's infidelity. Public reaction at the time was largely negative, with many believing it a publicity stunt while others speculated she was trying to make the police believe her husband had killed her.

To honour her many literary works, she was appointed Commander of the Order of the British Empire in the 1956 New Year Honours. The next year, she became the President of the Detection Club. In the 1971 New Year Honours she was promoted Dame Commander of the Order of the British Empire, three years after her husband had been knighted for his archeological work in 1968. They were one of the few married couples where both partners were honoured in their own right. From 1968, due to her husband's knighthood, Christie could also be styled as Lady Agatha Mallowan, or simply Lady Mallowan.

From 1971 to 1974, Christie's health began to fail, although she continued to write. Recently, using experimental, computerised, textual tools of analysis, Canadian researchers have suggested that Christie may have begun to suffer from Alzheimer's disease or other dementia. In 1975, sensing her increasing weakness, Christie signed over the rights of her most successful play, The Mousetrap, to her grandson.

Agatha Christie died on January 12, 1976 at age 85 from natural causes at her Winterbrook House in the north of Cholsey parish, adjoining Wallingford in Oxfordshire (formerly part of Berkshire). She is buried in the nearby churchyard of St Mary's, Cholsey.

Christie's only child, Rosalind Margaret Hicks, died, also aged 85, on October 28, 2004 from natural causes in Torbay, Devon. Christie's grandson, Mathew Prichard, was heir to the copyright to some of his grandmother's literary work (including The Mousetrap) and is still associated with Agatha Christie Limited.

Deathday: Mystery Author Dashiell Hammett 1961

Samuel Dashiell Hammett (May 27, 1894 – January 10, 1961) was an American author of hard-boiled detective novels and short stories. Among the enduring characters he created are Sam Spade (The Maltese Falcon), Nick and Nora Charles (The Thin Man), and the Continental Op (Red Harvest and The Dain Curse).

In addition to the significant influence his novels and stories had on film, Hammett "is now widely regarded as one of the finest mystery writers of all time" and was called, in his obituary in The New York Times, "the dean of the... 'hard-boiled' school of detective fiction." Time magazine included Hammett's 1929 novel Red Harvest on a list of the 100 best English-language novels published between 1923 and 2005.

A lifetime's heavy consumption of alcohol and cigarettes worsened Hammett's tuberculosis contracted in World War I, and then according to Hellman "jail had made a thin man thinner, a sick man sicker . . . I knew he would now always be sick." He may have meant to start a new literary life with the novel Tulip, but left it unfinished perhaps because he was "just too ill to care, too worn out to listen to plans or read contracts. The fact of breathing, just breathing, took up all the days and nights."

As the years of the 1950s wore on Hellman says Hammett became "a hermit," his decline evident in the clutter of his rented "ugly little country cottage" where "[t]he signs of sickness were all around: now the phonograph was unplayed, the typewriter untouched, the beloved foolish gadgets unopened in their packages." Hammett no longer could live alone and they both knew it, so the last four years of his life he spent with Hellman. "Not all of that time was easy, and some of it very bad, " she says but, "guessing death was not too far away, I would try for something to have afterwards." January 10, 1961, Hammett died in New York City's Lenox Hill Hospital, of lung cancer, diagnosed just two months before. As a veteran of two World Wars, he was buried at Arlington National Cemetery.

"The Raven" in Popular Culture: TV

The Simpsons episode "Treehouse of Horror" parodies the poem in its third segment as Lisa reads the story to Bart and Maggie. In the animated segment, Homer serves as the protagonist, Bart takes the raven's form, Marge appears in a painting as Lenore and Lisa and Maggie are angels. Bart sometimes complains as to how the poem isn't scary, and at one point, being that he plays the raven says his catchphrase "Eat my shorts" instead of "Nevermore". Homer provides the spoken dialogue for the narrator; his thoughts are voiced by James Earl Jones. Some of the poem is cut for time (the 5th line in stanza 3, stanza 5, the last 2 lines of stanza 6, the first two lines of stanza 8, stanzas 9 through 13, 15 and 16). The story culminates (after the last two lines of stanza 17 are repeated again) with Homer chasing the Bart-raven around the study before the last stanza. After the poem, Bart says he didn't think the poem was scary and Lisa suggests that people may have been more easily scared in 1845. The scene cuts to Homer, who has overheard the recitation, who is seen shaking, shivering and frightened.
 Night Gallery, hosted by Rod Serling, featured a brief, humorous story entitled "Quoth the Raven." It featured Poe, portrayed by Marty Allen, being constantly maligned by a talking raven (voiced by uncredited Mel Blanc) on a bust of Pallas as Poe is trying to write the original "Raven" poem.

Garfield and Friends parodied the poem in the form of a U.S. Acres short titled "Stark Raven Mad", in which Orson narrates, to the tune of the poem, guarding the harvest against Roy's attempts to steal it. Lenore is featured as Orson's old girlfriend, who moved away after a scuffle with Orson's brothers. This flashback prompts Orson to save Roy from his brothers when they show up to steal the vegetables themselves.

The Histeria! episode "Super Writers" featured a sketch in which a Peter Lorre-esque Poe attempts to pitch his poem to Sammy Melman, who wants a brighter poem with a happy narrator and a bunny instead of a raven. This frustrates Poe to no end and eventually drives him to publish the poem independently. Later in the episode, in a sketch featuring Poe as a villain, the raven serves as his sidekick.

Tiny Toon Adventures parodies the poem, with the character Sweetie Pie playing the role of the raven while Vincent Price does the voice-over for the narrator.

The Pinky, Elmyra and the Brain episode "The Ravin!" parodies the poem, with the Brain narrating and Elmyra using a phrase repetitively.

In the TV show The Addams Family, Morticia uses "The Raven" as a bed-time story to her son Pugsley, reciting it as a nursery rhyme. (Episode 1.2 "Morticia and the Psychiatrist", original air date: 25 September 1964)

The 1960s sitcom The Munsters featured a cuckoo clock with a wise-cracking raven (who had named himself "Charlie") instead of a cuckoo, which would emerge and say, "Nevermore, Nevermore" - usually as a comic foil for Herman Munster.

The animated series Beetlejuice featured Poe as one of the eccentric residents of the Nietherworld. Poe mourns his "lost Lenore" (presumably the same from "The Raven") until it is revealed that she has just been staying with her mother.

In 1979, Roto-Rooter Plumbing and Drain Cleaning Service created an animated television commercial entitled "The Raving," in which the protagonist faced a blocked drain rather than a lost love. The commercial's raven recommended the drain service.

An episode of Teen Titans entitled "Nevermore" follows two of the main characters, Beast Boy and Cyborg, as they use a magical mirror to enter the mind of their friend Raven.

In the Cartoon Network show My Gym Partner's a Monkey, in the episode "Gorilla of my Dreams," Principal Pixiefrog has a girlfriend named Lenore, and a raven flies into the window.

During five's late night NFL coverage, colour analyst Mike Carlson wrote and performed a complex parody of the poem to a game report involving the Baltimore Ravens.

In the kids' show, Cyberchase, the episode, 'Frogsnorts', Sharry's dodo speaks in rhyme, and when trying to tell Hacker that he did not get invited to Frogsnorts, Dodo says, "Don't be sad, don't be sore, quoth the Dodo, nevermore!"

In the Gilmore Girls episode, "A Tale of Poes and Fire," "The Raven" is recited by two men dressed like Edgar Allan Poe for a Poe convention.

In episode 3 of season 4 of Alton Brown's Good Eats ("Fry Hard II: The Chicken") on Food Network, Brown's prologue to the episode shows him rummaging through his cookbooks ("forgotten lore") looking for chicken recipes accompanied by a voice-over of him reciting a parody of the first few stanzas of the poem, during which a plastic chicken, taking the raven's place, perched on the bust of Julia Child and repeatedly says "Fry some more".

The DuckTales character Poe De Spell is a raven who often says "nevermore".

The Gothic cartoon series Ruby Gloom based on the apparel franchise of the same name features three ravens named Edgar, Allan and Poe, being Poe the most prominent one.

In the show King Of The Hill Bill's ex-wife, who is only shown on screen once, is named Lenore, and Bill is often seen pining for her, going so far as to cry out her name in desperation and anguish over her leaving him on Christmas Eve years before.

In one episode of "Bullwinkle's Corner" from The Bullwinkle Show, the poem parodied is "The Raven". The bird which comes into Bullwinkle's "chamber spooky" is a woodpecker instead of the expected raven. Bullwinkle pursues the imposter bird with a fireplace poker and ends up hitting himself on the head. The narration concludes "Now the room is round me wavin'/ feels like I've been in a cave-in/ When will next I read "The Raven"?/I can tell you...nevermore!"

In the 11th episode (called 'Nevermore) of television series Warehouse 13, many Poe poems feature, including The Tell-Tale Heart and, of course, 'The Raven'.

In the Disney series "Phineas and Ferb", a raven flies into one of the characters, Doofenshmirtz's, window and starts tapping and yelling "nevermore!" to which Doofenshmirtz replies "Oh it's just that raven again."

"The Raven" in Popular Culture

The Baltimore Ravens

Edgar Allan Poe's poem "The Raven" has been frequently referenced and parodied in contemporary culture. Immediately popular after the poem's publication in 1845, it quickly became a cultural phenomenon. Some consider it the best poem ever written. As such, modern references to the poem continue to appear in popular culture.

Bela Lugosi in The Raven (1935)

In part due to its dual printing, "The Raven" made Edgar Allan Poe a household name almost immediately and turned Poe into a national celebrity. Readers began to identify poem with poet, earning Poe the nickname "The Raven." The poem was soon widely reprinted, imitated, and parodied. Though it made Poe popular in his day, it did not bring him significant financial success. As he later lamented, "I have made no money. I am as poor now as ever I was in my life—except in hope, which is by no means bankable."

Elizabeth Barrett (Browning)

The New World said, "Everyone reads the Poem and praises it... justly, we think, for it seems to us full of originality and power." The Pennsylvania Inquirer reprinted it with the heading "A Beautiful Poem." Elizabeth Barrett wrote to Poe, "Your 'Raven' has produced a sensation, a fit o' horror, here in England. Some of my friends are taken by the fear of it and some by the music. I hear of persons haunted by 'Nevermore'." Poe's popularity resulted in invitations to recite "The Raven" and to lecture – in public and at private social gatherings. At one literary salon, a guest noted, "to hear [Poe] repeat the Raven... is an event in one's life." It was recalled by someone who experienced it, "He would turn down the lamps till the room was almost dark, then standing in the center of the apartment he would recite... in the most melodious of voices... So marvelous was his power as a reader that the auditors would be afraid to draw breath lest the enchanted spell be broken." Parodies sprung up especially in Boston, New York, and Philadelphia and included "The Craven" by "Poh!," "The Gazelle," "The Whippoorwill," and "The Turkey." One parody, "The Pole-Cat," caught the attention of Andrew Johnston, a lawyer who sent it on to Abraham Lincoln. Though Lincoln admitted he had "several hearty laughs," he had not, at that point read "The Raven." However, Lincoln eventually read and memorized the poem.

Abraham Lincoln

Edgar Allan Poe on Sabrina, the Teenage Witch 1999

Sabrina, the Teenage Witch is an American sitcom based on the Archie comic book series of the same name.

The show stars Melissa Joan Hart as Sabrina Spellman, a teenager with magical powers, who lives with her aunts Hilda (played by Caroline Rhea) and Zelda (played by Beth Broderick), and their magical talking cat Salem. Sabrina has a boyfriend called Harvey Kinkle (played by Nate Richert).

Its first four seasons aired on ABC from September 27, 1996 to May 5, 2000; the final three seasons ran on The WB Television Network from September 22, 2000 to April 24, 2003.

"Episode LXXXI: The Phantom Menace"
Kenneth R. Koch Charlie Tercek
October 29, 1999

When Sabrina gets a job at a nearby coffee house, she decides to work on Halloween night instead of celebrating the holiday with her aunts. After Hilda and Zelda learn of Sabrina's plans, they try to warn her that she can't run away from Halloween, but Sabrina refuses to take their warning seriously. As Hilda and Zelda anxiously prepare for their Halloween dinner with Edgar Allan Poe, Sabrina and Dreama eventually celebrate the holiday in their own way: when a group of Other Realm Zombies arrive the coffee house to help them experience the fun of Halloween.

Happy Birthday Poe Actor & Gomez Addams John Astin

John Allen Astin (born March 30, 1930) is an American actor who has appeared in numerous films and television shows, and is best known for the role of Gomez Addams on The Addams Family, and other similarly eccentric comedic characters.

Early years

Astin was born in Baltimore, Maryland, to Margaret Linnie (née Mackenzie) and Dr. Allen Varley Astin, who was the director of the National Bureau of Standards (now the National Institute of Standards and Technology).[1] He graduated from Johns Hopkins University in 1952, after transferring from Washington and Jefferson College. He initially studied mathematics at Washington & Jefferson then became a drama major at Johns Hopkins; he was a member of the Phi Kappa Psi fraternity at Johns Hopkins.

Career

Astin started in theater, doing voice-over work for commercials. His first big break came with a small part in West Side Story in 1961. At this time, he also guest starred on the ABC sitcom, Harrigan and Son, starring Pat O'Brien. In 1962–1963, he starred with Marty Ingels in the sitcom I'm Dickens, He's Fenster, which aired thirty-one episodes in a single season. From 1964–1966, he starred in The Addams Family as Gomez Addams, the head of the macabre family. He appeared in the TV show The New Addams Family as Grandpapa Addams in 1998, with the role of Gomez Addams played by Glenn Taranto.

Astin also played the Riddler on ABC's Batman during Frank Gorshin's second season departure. (Gorshin came back for the third and final season.) He played submarine commander Matthew Sherman in the 1970s TV series Operation Petticoat. He also made a notable appearance in popular mystery show Murder, She Wrote, as the villainous Sheriff Harry Pierce. He had a recurring role on the sitcom Night Court as Buddy, eccentric former mental patient and the stepfather of lead character Harry Stone. He also played the regular role of Ed LaSalle in the short-lived Mary Tyler Moore sitcom Mary during the 1985–86 television season. He guest starred on numerous television series too, including a Gunsmoke appearance in 1967 as Festus's cousin Henry, Jack Palance's ABC circus drama, The Greatest Show on Earth and Duckman.

Astin received an Academy Award nomination for Prelude, a short film that he wrote, produced, and directed. He was nominated for an Ace Award for his work on Tales from the Crypt, and received an Emmy nomination for the cartoon voice of Gomez on ABC-TV's The Addams Family. He also voiced the character Bull Gator on the animated series Taz-Mania. Astin served for four years on the Board of Directors of the Writers Guild of America, and has been active in community affairs in Los Angeles and Santa Monica.

He has continued to work in acting, appearing in a string of Killer Tomatoes films as Professor Gangreen and as Professor Wickwire in The Adventures of Brisco County Jr.

He also has toured the one-man play Edgar Allan Poe: Once Upon a Midnight, written by Paul Day Clemens and Ron Magid. In a December 2007, Baltimore Examiner interview, Astin said of his acting experience:

“We all struggle, and I had plenty of that, but I've had a great time. I've done hundreds of TV shows and 30 to 40 movies, and I love acting. I'm very happy having done the Poe. That's been really terrific.[2] ”

Teaching

Astin currently teaches method acting and directing in the Writing Seminars Department at Johns Hopkins University, his alma mater. Commenting on his dual career, he said in 2007, "I don't know one major university that has a known actor teaching every day."[2] He hopes to re-establish a drama major at the university, noting that he is one of only a handful to earn a drama degree from Hopkins. Astin can be seen singing and playing cowbell in a music video from JHU released in December 2009.

Personal life

He has five sons, three (David, Allen, and Tom) by his first wife, Suzanne Hahn, and another (Mackenzie Astin) by his second wife, actress Patty Duke. John also legally adopted Sean Astin, Duke's son from a previous marriage. John Astin is currently married to Valerie Ann Sandobal and lives in Baltimore. He is a practicing Buddhist.[2]

His younger brother, Alexander Astin, is a professor emeritus at UCLA. He has five granddaughters: Alexandra, Elizabeth, Isabella, Sedona and Jaya.

Filmography

The Twilight Zone: "A Hundred Yards Over the Rim" (1961)
West Side Story (1961) – Glad Hand, Social Worker Leading Dance
That Touch of Mink (1962) - Mr. Everett Beasley
Move Over Darling (1963) - Clyde Prokey
The Addams Family (1964–66) (television) – Gomez Addams
Batman: "Batman's Anniversary/A Riddling Controversy" (1967) (television) – The Riddler (#2)
The Wild Wild West: "The Night of the Tartar" (1967) (television) – Count Nikolai Sazanov
The Flying Nun: "Flight of the Dodo Bird" (1967) (television) – Father Lundigan
Candy: (1968) – Mister Christian
Viva Max! (1969) – Sergeant Valdez
Bunny O'Hare (1971) – Ad
Night Gallery: "Pamela's Voice" (1971) (television)
Night Gallery: "The Girl with the Hungry Eyes" (October 1, 1972) (television) - Mr. Munch
Evil Roy Slade (1972) – Evil Roy Slade
The Partridge Family (1973) (television) - Sydney Rose in The Mad Millionaire
Get to Know Your Rabbit (1972)
Freaky Friday (1976) – Bill Andrews
Operation Petticoat (1977) - Lt. Cmdr. Matthew Sherman
National Lampoon's European Vacation (1985) - Kent Winkdale (host of "Pig in a Poke")
Mr. Boogedy (1986) – Neil Witherspoon
Teen Wolf Too (1987) – Dean Dunn
Return of the Killer Tomatoes (1988) – Professor Gangreen
Killer Tomatoes Strike Back (1990) – Professor Gangreen
Killer Tomatoes Eat France (1991) – Professor Gangreen
Eerie Indiana (1991) (television) – Radford
The Adventures of Brisco County, Jr. (1993) (television) – Professor Albert Wickwire
Night Court (1986) – Former Mental Patient Buddy Ryan (revealed later in the series to be Judge Harry Stone's father)
Gremlins 2: The New Batch (1990) – Janitor
Taz-Mania (1991) (television) – Bull Gator (voice)
The Addams Family, animated series (1992) – Gomez Addams (voice)
The Silence of the Hams (1993) – The Ranger
Duckman (1994) – Terry Duke Tetzloff (voice)
Mad About You: "Up All Night" (1994) (television) – himself
Super Password – Himself
The Frighteners (1996) – The Judge
The Nanny (1996) - The Plastic Surgeon (episode - Tattoo)
School of Life (2005) – Stormin' Norman Warner

References

1.^ "John Astin Biography". filmreference. 2008. http://www.filmreference.com/film/93/John-Astin.html. Retrieved 2009-01-17.
2.^ Jessica Novak (28December 2007). "Johns Hopkins' leading man". The Baltimore Examiner.

The Addams Family (TV series) 1964-1966 - Starring John Astin

The Addams Family is an American television series based on the characters in Charles Addams' New Yorker cartoons. The 30-minute series was shot in black-and-white and aired for two seasons in 64 installments on ABC from September 18, 1964 to April 8, 1966. It is often compared to its working-class rival, The Munsters, which ran for the same two seasons and achieved somewhat higher Nielsen ratings. The Addams Family ranked 23rd in its first season, with a 23.9 rating.[2] The show is the first adaptation of the characters to feature The Addams Family Theme.

It was originally produced by Filmways, Inc. at General Service Studios in Hollywood, California. Successor company MGM Television (via The Program Exchange for broadcast syndication, 20th Century Fox Home Entertainment for home video/DVD) owns the rights to the show. At one point, distribution rights were licensed to Worldvision Enterprises.

Premise

The Addamses are a close-knit extended family with decidedly macabre interests. They are humans with supernatural abilities. No explanation for their powers is explicitly given in the series.

The very wealthy, endlessly enthusiastic Gomez Addams is madly in love with his refined wife Morticia. Along with their two children, Wednesday and Pugsley, Uncle Fester and Grandmama, they reside in an ornate, gloomy, Second Empire style mansion, attended by their servants, Lurch, the towering butler, and Thing, a hand that usually appears out of a small wooden box. Occasionally, episodes would feature relatives or other members of their weird subculture, such as Cousin Itt or Morticia's older sister, Ophelia.

Much of the humor derives from their culture clash with the rest of the world. They invariably treat normal visitors with great warmth and courtesy, even though their guests often have evil intentions. They are puzzled by the horrified reactions to their (to them) good natured and normal behavior since they are under the impression that their tastes are shared by most of society. Accordingly they view "conventional" tastes with generally tolerant suspicion. For example, Fester once cites a neighboring family's meticulously maintained petunia patches as evidence that they are "nothing but riff-raff." Ironically, many of the things that the Addams family was in favor of that seemed laughable in the mid-1960s have become mainsteam. Homeschooling, protection of swamps (now Federally protected as wetlands), banning of toy guns, and banning of classic fairy tales in schools were all plotlines in the show that were comic fodder at the time. A recurring theme in the epilogue of many episodes was the Addamses getting an update on the most recent visitor to their home, either via something in the newspaper or a phone call. Invariably, as a result of their visit to the Addamses, the visitor would be institutionalized, change professions, move out of the country, or have some other negative life-changing event. The Addamses would always misinterpret the update and see it as good news for that most recent visitor.

The tone was set by series producer Nat Perrin, close friend of Groucho Marx and writer of several Marx Brothers films. Perrin created story ideas, directed one episode, and rewrote every script. Much of the dialog is his (albeit uncredited). As a result, Gomez, with his sardonic remarks, backwards logic, and ever-present cigar (pulled from his breast pocket already lit), has been frequently compared to Groucho Marx. In addition, the series often employed the same type of zany satire and screwball humor seen in the Marx Brothers films. It lampooned politics ("Gomez, The Politician" and "Gomez, The People's Choice"), the legal system ("The Addams Family in Court"), Beatlemania ("Lurch, The Teenage Idol"), and Hollywood ("My Fair Cousin Itt").

Characters

Main characters

Gomez Addams (John Astin) - Gomez is passionately in love with his wife, often referring to her as "Cara Mia." His ardor is greatly intensified when she speaks French (a quirk that first appears in the eleventh episode, "The Addams Family Meet the V.I.P.s"). Before that his ardor was aroused when she called him "Bubele" a German-Bavarian, and Yiddish [3][4] word meaning "darling" or "sweetie." Gomez is very wealthy, due to owning numerous companies and stocks. He doesn't seem to regard money itself as a priority and squanders money cavalierly while remaining wealthy. Gomez spends a great deal of time with his family and does not go out to work. He refers to Spain as his "ancestral home" with his family background referenced as "Castilian," and he occasionally uses Spanish words and phrases. He can perform rapid and complicated calculations in his head. He is remarkably acrobatic and can easily dismount from a hanging position upon a chandelier.

Morticia Addams (Carolyn Jones) - Morticia is a cultivated and beautiful woman who dabbles in art, raises flesh-eating plants, and trims her roses by clipping off the buds and arranging the stems in a vase ("Oh, the thorns are lovely this year"). She can light candles with her fingertips and emit smoke directly from her person. With her aristocratic detachment, she is often the calm center of the chaotic events of the household.

Uncle Fester (Jackie Coogan) - Uncle Fester is Morticia's exuberant, kind, and electric uncle. He frequently places a lightbulb in his mouth, where it lights up. When angered by outsiders, he may grab for a blunderbuss and announce that he will shoot the offender in the back.

Lurch (Ted Cassidy) - Lurch is the household butler. Morticia and Gomez summon him by means of a bell pull in the form of a hangman's noose, which rings the massive bell located in the mansion's bell tower; the resulting gong shakes the entire house when the noose is pulled. When Lurch appears (usually immediately thereafter), he responds with a baritone "You rang?" According to IMDb, Lurch was intended to be a non-speaking part, as the Charles Addams cartoon character was silent. However, Cassidy improvised the line during his audition, and it was well received and incorporated into the show. When questions are posed to Lurch his primary response is a deep annoyed grunt, from which the family glean complex meanings. He is superhumanly strong and often plays the harpsichord (the music is actually played by The Addams Family composer Vic Mizzy). Lurch is very high-minded about visitors; when a plainclothes policeman (played by George Neise) visited the family, Lurch patted him down and regarded him suspiciously when he found his gun. Neise showed Lurch his badge, whereupon Lurch returned the gun. Lurch occasionally regards his employers' activities with some dubiousness much like a servant expressing disdain for the idle rich. Ted Cassidy made a cameo appearance as Lurch on an episode of the "Batman" TV series.

Grandmama Addams (Blossom Rock) - Mother of Gomez (who occasionally calls her "Mamacita"). She is a witch who conjures up potions, spells and hexes. She also dabbles in fortune-telling, though it is obvious that, in this respect at least, she is a charlatan. Her given name is never revealed in the series.

Wednesday Friday Addams (Lisa Loring) - Gomez and Morticia's daughter. She is the youngest member (six years old) of the family, she is a strange yet sweet-natured little girl who pursues such hobbies as raising spiders, beheading dolls (called "Marie Antoinette," "Mary Queen of Scots," and "Little Red Riding Hood"), and practicing ballet in a black tutu. Her favorite pet is a black widow spider named Homer, although she also has a lizard named Lucifer. She is strong enough to bring her father to his knees in a judo hold.

Pugsley Addams (Ken Weatherwax) - Gomez and Morticia' son and Wednesday's older brother. Kind-hearted and smart, occasionally conforming to "conventional" standards contrary to his family, he nevertheless shares a close bond with his parents and sister, the latter whom he often plays with. He also enjoys engineering various machines (sometimes with Gomez), playing with blasting caps, and his pet octopus Aristotle. Despite his pudginess, Pugsley is, like his father, exceptionally agile, able to out-climb a gorilla and hang from branches by his teeth.

Thing T. Thing - A disembodied hand that appears out of boxes and other conveniently placed containers. Thing apparently has the ability to teleport from container to container, almost instantly: Thing sometimes appears from different containers at opposite ends of the room within seconds of each other. Though Ted Cassidy would often portray Thing, assistant director Jack Voglin would often portray Thing in scenes where Lurch and Thing appear together.

Recurring characters

Cousin Itt (Felix Silla in most episodes, Roger Arroyo for two episodes) - Gomez's cousin, a short entity completely hidden by his almost head-to-floor-long hair. He speaks in rapid unintelligible gibberish which the family has no difficulty understanding (according to Felix Silla's commentary on the DVD release, the voice for Cousin Itt was recorded by a member of the crew in post-production). Gomez once asks him what is under it all; Itt answers, "Roots." In one episode, Itt is said to have "the eye of an eagle...plus a few of his own." Nevertheless, he wears conventional sunglasses, supposedly so people will not pester him for autographs.

Ophelia - Morticia's sister. Gomez was originally engaged to her in an arranged marriage, but when he saw 22-year old Morticia (dressed in a grown-up version of Wednesday's clothing), he was smitten and fell in love with her; when she spoke French, he claimed that for the first time in his life, his sinuses were cleared and his bronchitis was gone. Ophelia was played by Carolyn Jones in a blonde wig (a staple of 1960's sitcom twins). One quirk of Ophelia's is that the flower growing in her hair had roots that travelled down into her foot; another is her love of judo, with which she can hurl men (usually Gomez) several feet.

Grandma Hester Frump (Margaret Hamilton) - The mother of Morticia and Ophelia.

Mayor Arthur J. Hansen (Peter Baer) - The mayor of the town that the Addams Family live in.

Reunions

A reunion film, Halloween with the New Addams Family [5], aired on NBC in October 1977 and starred most of the original cast, except for Blossom Rock (Grandmama), who was very ill at the time and was replaced by Phyllis actress Jane Rose. The picture also featured extended family members who were created specifically for the production and never appeared in the television series, such as Gomez's brother, Pancho (played by Henry Darrow) and two additional children, Wednesday Junior and Pugsley Junior. It was originally intended for a pilot for a sequel, but no other episodes were ordered.

The interior set of the Addams mansion had previously been used for the 1972 film Ben.

Syndication

As of May 2009, the show can be purchased on iTunes, and can be streamed for free in the US on IMDB, YouTube, Hulu, and Minisodes are available on Crackle You can also watch all the series vol.1-3 on netflix.

DVD releases

MGM Home Entertainment has released The Addams Family on DVD in Region 1, 2 and 4 in three volume sets.

References

1.^ "David Levy; Producer Created 'Addams Family'". LA Times. January 31, 2000.
2.^ "The 'Addams Family' Tree". LA Times. June 9, 1991.
3.^ Yiddish Expressions
4.^ Reminiscing 'Bout Bubba and others
5.^ IMDb.com – Halloween with the New Addams Family
6.^ The Addams Family DVD news: Volume 3 date and details | TVShowsOnDVD.com
7.^ The Addams Family DVD news: *Snap* *Snap* Complete Series Announced | TVShowsOnDVD.com

Deathday: Horror & Adventure Author Robert Louis Stevenson 1894

Robert Louis Balfour Stevenson (13 November 1850 – 3 December 1894) was a Scottish novelist, poet, essayist and travel writer. His best-known books include Treasure Island, Kidnapped, and the Strange Case of Dr Jekyll and Mr Hyde.

A literary celebrity during his lifetime, Stevenson now ranks among the 30 most translated authors in the world, just below Charles Dickens. He has been greatly admired by many authors, including Jorge Luis Borges, Ernest Hemingway, Rudyard Kipling, Marcel Schwob, Vladimir Nabokov, J. M. Barrie, and G. K. Chesterton, who said of him that he "seemed to pick the right word up on the point of his pen, like a man playing spillikins."

Last years

In 1890, Stevenson purchased four hundred acres (about 1.6 square kilometres) of land in Upolu, one of the Samoan islands. Here, after two aborted attempts to visit Scotland, he established himself, after much work, upon his estate in the village of Vailima. Stevenson himself adopted the native name Tusitala (Samoan for "Teller of Tales", i.e. a storyteller). His influence spread to the Samoans, who consulted him for advice, and he soon became involved in local politics. He was convinced the European officials appointed to rule the Samoans were incompetent, and after many futile attempts to resolve the matter, he published A Footnote to History. This was such a stinging protest against existing conditions that it resulted in the recall of two officials, and Stevenson feared for a time it would result in his own deportation. When things had finally blown over he wrote to Colvin, who came from a family of distinguished colonial administrators, "I used to think meanly of the plumber; but how he shines beside the politician!"

He was friends with some of the politicians and their families. At one point he formally donated, by deed of gift, his birthday to the daughter of the American Land Commissioner Henry Clay Ide, since she was born on Christmas Day and had no birthday celebration separate from the family's Christmas celebrations. This led to a strong bond between the Stevenson and Ide families.

In addition to building his house and clearing his land and helping the Samoans in many ways, he found time to work at his writing. He felt that "there was never any man had so many irons in the fire." He wrote The Beach of Falesa, Catriona (titled David Balfour in the USA), The Ebb-Tide, and the Vailima Letters, during this period.

For a time during 1894 Stevenson felt depressed; he wondered if he had exhausted his creative vein and completely worked himself out. He wrote that he had "overworked bitterly." He felt more clearly that, with each fresh attempt, the best he could write was "ditch-water." He even feared that he might again become a helpless invalid. He rebelled against this idea: "I wish to die in my boots; no more Land of Counterpane for me. To be drowned, to be shot, to be thrown from a horse — ay, to be hanged, rather than pass again through that slow dissolution." He then suddenly had a return of his old energy and he began work on Weir of Hermiston. "It's so good that it frightens me," he is reported to have exclaimed. He felt that this was the best work he had done. He was convinced, "sick and well, I have had splendid life of it, grudge nothing, regret very little ... take it all over, damnation and all, would hardly change with any man of my time."

Without knowing it, he was to have his wish fulfilled. During the morning of 3 December 1894, he had worked hard as usual on Weir of Hermiston. During the evening, while conversing with his wife and straining to open a bottle of wine, he suddenly exclaimed, "What's that!" He then asked his wife, "Does my face look strange?" and collapsed beside her. He died within a few hours, probably of a cerebral haemorrhage, at the age of 44. The Samoans insisted on surrounding his body with a watch-guard during the night and on bearing their Tusitala upon their shoulders to nearby Mount Vaea, where they buried him on a spot overlooking the sea. Stevenson had always wanted his 'Requiem' inscribed on his tomb.

Under the wide and starry sky,
Dig the grave and let me lie.
Glad did I live and gladly die,
And I laid me down with a will.
This be the verse you grave for me:
Here he lies where he longed to be;
Home is the sailor, home from sea,
And the hunter home from the hill.

However, the piece is widely misquoted, including the inscription on his tomb, which closes:

Home is the sailor, home from the sea,
And the hunter home from the hill.

Stevenson was loved by the Samoans and the engraving on his tombstone was translated to a Samoan song of grief which is well known and still sung in Samoa.