Thursday, December 13, 2012

"The Man of the Crowd" Published 1840

"The Man of the Crowd" is a short story written by Edgar Allan Poe about a nameless narrator following a man through a crowded London, first published in 1840.

Plot summary

The story is introduced with the epigraph, "Ce grand malheur, de ne pouvoir être seul"—a quote taken from The Characters of Man by Jean de la Bruyère. It translates to Such a great misfortune, not to be able to be alone. This same quote is used in Poe's earliest tale, "Metzengerstein."[1]

After an unnamed illness, the unnamed narrator sits in an unnamed coffee shop in London. Fascinated by the crowd outside the window, he considers how isolated people think they are, despite "the very denseness of the company around." He takes time to categorize the different types of people he sees. As evening falls, the narrator focuses on "a decrepit old man, some sixty-five or seventy years of age," whose face has a peculiar idiosyncrasy, and whose body "was short in stature, very thin, and apparently very feeble" wearing filthy, ragged clothes of a "beautiful texture." The narrator dashes out of the coffee shop to follow the man from afar. The man leads the narrator through bazaars and shops, buying nothing, and into a poorer part of the city, then back into "the heart of the mighty London." This chase lasts through the evening and into the next day. Finally, exhausted, the narrator stands in front of the man, who still does not notice him. The narrator concludes the man is "the type and genius of deep crime" due to his inscrutability and inability to leave the crowds of London.[2]


According to the text of the tale, the reason for the narrator's monomaniacal obsession with the man stems from "the absolute idiosyncrasy of [the man's] expression." He is the only person walking down the street the narrator can't categorize.[2] Why the narrator is so haunted by him is not entirely clear, though it is implied that the two men are two sides of the same person, with the old man representing a secret side of the narrator,[3] though the narrator is unable to see this.[4] The old man may be wandering through the crowd in search of a lost friend or to escape the memory of a crime.[5] The possible evil nature of the man is implied by the dagger that is possibly seen under his cloak[4] - whatever crime he has committed condemns him to wander.[1] This lack of disclosure has been compared to similar vague motivations in "The Cask of Amontillado."[6] Poe purposely presents the story as a sort of mystification, inviting readers to surmise the old man's secret themselves.[4]

At the beginning of the tale, the narrator surveys and categorizes the people around him in a similar way as Walt Whitman in "Song of Myself." Poe's narrator, however, lacks Whitman's celebratory spirit.[7] While viewing these people, the narrator is able to ascertain a great deal of information about them based on their appearance and by noting small details. For example, he notices that a man's ear sticks out a small amount, indicating he must be a clerk who stores his pen behind his ear. Poe would later incorporate this ability to observe small details in his character C. Auguste Dupin.[8]

The setting of London, one of the few specific details revealed in the tale, is important. By 1840, London was the largest city in the world with a population of 750,000.[9] Poe would have known London from the time he spent there as a boy with his foster family, the Allans,[1] although he may have relied on the writings of Charles Dickens for details of London's streets.[2] In this story and others, Poe associates modern cities with the growth of impersonal crime.[10]

Publication history

The story was first published simultaneously in the December 1840 issues of Atkinson's Casket and Burton's Gentleman's Magazine. The latter was the final issue of that periodical.[1] It was later included in Wiley and Putnam's collection simply titled Tales by Edgar A. Poe.[11]


1.^ Sova, Dawn B. Edgar Allan Poe: A to Z. New York City: Checkmark Books, 2001: 147. ISBN 081604161X
2.^ Sweeney, Susan Elizabeth (2003). "The Magnifying Glass: Spectacular Distance in Poe's "Man of the Crowd" and Beyond". Poe Studies/Dark Romanticism 36 (1-2): 3.
3.^ Sova, Dawn B. Edgar Allan Poe: A to Z. New York City: Checkmark Books, 2001: 148. ISBN 081604161X
4.^ Kennedy, J. Gerald. Poe, Death, and the Life of Writing. Yale University Press, 1987: 118. ISBN 0300037732
5.^ Quinn, Arthur Hobson. Edgar Allan Poe: A Critical Biography. Baltimore: The Johns Hopkins University Press, 1998: 310. ISBN 0801857309
6.^ Hoffman, Daniel. Poe Poe Poe Poe Poe Poe Poe. Louisiana State University Press, 1972: 245. ISBN 0807123218
7.^ Person, Leland S. "Poe and Nineteenth-Century Gender Constructions," collected in A Historical Guide to Edgar Allan Poe, edited by J. Gerald Kennedy. Oxford University Press, 2001: 158. ISBN 0195121503
8.^ Stashower, Daniel. The Beautiful Cigar Girl: Mary Rogers, Edgar Allan Poe, and the Invention of Murder. New York: Dutton, 2006: 113. ISBN 052594981X
9.^ Meyers, Jeffrey: Edgar Allan Poe: His Life and Legacy. New York: Cooper Square Press, 2000: 115. ISBN 0815410387
10.^ Kennedy, J. Gerald. "Introduction: Poe in Our Time" collected in A Historical Guide to Edgar Allan Poe. Oxford University Press, 2001: 9. ISBN 0195121503
11.^ Quinn, Arthur Hobson. Edgar Allan Poe: A Critical Biography. Baltimore: The Johns Hopkins University Press, 1998: 464–466. ISBN 0801857309

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