Sunday, June 3, 2012

Deathday: Poe Enemy, Historian & Poet Elizabeth Fries Lummis Ellet 1877

Elizabeth Fries Lummis Ellet (October 18, 1818 – June 3, 1877) was an American writer, historian and poet. She was the first writer to record the lives of women who contributed to the American Revolutionary War.[1]

Born Elizabeth Fries Lummis, in New York, she published her first book, Poems, Translated and Original, in 1835. She married the chemist William Henry Ellet and the couple moved to South Carolina. She had published several books and contributed to multiple journals. In 1845 she moved back to New York and took her place in the literary scene there. She was involved with a public scandal involving Edgar Allan Poe and Frances Sargent Osgood and, later, another involving Rufus Wilmot Griswold. Ellet's most important work, The Women of the American Revolution, was published in 1845. The three volume book profiled the lives of patriotic women in the early history of the United States. She continued writing until her death in 1877.

Early life

Elizabeth Fries Lummis was born in Sodus Point, New York, on October 18, 1818. Her mother was Sarah Maxwell (1780–1849)[2][3] the daughter of American Revolutionary War captain John Maxwell. During the Revolution, John Maxwell was lieutenant of the first company raised in Sussex County, New Jersey, he was promoted to captain, and attached to the Second Regiment Hunterdon County Militia.[4] He was also a captain in Colonel Spencer's regiment of the Continental Army, from February 7, 1777, to April 11, 1778. He later joined the Army of General George Washington as captain of a company of 100 volunteers known as "Maxwell's Company.[5]

Her father was William Nixon Lummis (1775–1833), a prominent doctor who studied medicine in Philadelphia under the famous physician Dr. Benjamin Rush.[5] In the early part of 1800, Dr. Lummis left Philadelphia and purchased the Pulteney estate in Sodus Point, Wayne County, New York.[6] Elizabeth Lummis attended Aurora Female Seminary in Aurora, New York, where she studied, among other subjects, French, German, and Italian. Her first published work, at age 16, was a translation of Silvio Pellico's Euphemio of Messina.[7]


In 1835, Elizabeth Lummis published her first book, entitled Poems, Translated and Original, which included her tragedy, Teresa Contarini, based on the history of Venice, which was successfully performed in New York and other cities. Around this time she married William Henry Ellet (1806–1859), a chemist from New York City.[8] He graduated from Columbia College in New York and earned a gold medal for a dissertation on the compounds of cyanogen. The couple moved to Columbia, South Carolina, when he was made professor of chemistry, mineralogy, and geology at South Carolina College in 1836. He also discovered a new and inexpensive method of preparing guncotton, for which the state of South Carolina presented him with a service of silver plate.[9]

During this time Ellet published several books. In 1839 she wrote The Characters of Schiller, a critical essay on the writer Friedrich Schiller and included her translation of many of his poems.[10] She wrote Scenes in the Life of Joanna of Sicily, a history of the life styles of female nobility, and Rambles about the Country, a lively description of the scenery she had observed in her travels through the United States, in 1840.[11] She continued writing poems, translations, and essays on European literature which she contributed to the American Monthly, the North American Review, the Southern Literary Messenger, the Southern Quarterly Review, and other periodicals. Ellet wrote abundantly in a wide variety of genres.[12]

In 1845, Ellet left her husband in the south and moved back to New York City where she resumed her place as a member of literary society along with such writers as Margaret Fuller, Anne Lynch Botta, Edgar Allan Poe, Rufus Wilmot Griswold, Anna Cora Mowatt and Frances Sargent Osgood.


During this time Ellet was a participant in a notorious scandal involving Edgar Allan Poe and Frances Sargent Osgood, both of whom were married to others. Accounts as to the particulars of the scandal and the sequence of events differ. At the time, Poe was at the height of his fame, thanks to his work, "The Raven." A number of women active in literary society sent him letters, including Ellet and Osgood. Some of the letters sent may have been flirtatious or amorous ones. Ellet also spent time with Poe discussing literary matters. It is possible that Ellet felt in competition with Osgood for Poe's affections.[1] During this time Poe had written several poems to and about Osgood, including "A Valentine."[13]

On one visit to Poe's home in January 1846,[14] Ellet allegedly observed letters from Osgood, shown to her by Poe's wife Virginia, and subsequently advised Osgood to ask for their return, implying to Osgood that they were an indiscretion.[14] On behalf of Osgood, Margaret Fuller and Anne Lynch Botta asked Poe to return the letters. Poe, angered by their interference, suggested that Ellet had better "look after her own letters."[15] One such letter, written in German, asked Poe to "Call for it at her residence this evening," a phrase presumably meant to be seductive, though Poe ignored it or did not understand it.[16] He then gathered up these letters from Ellet and left them at her house.[14] Despite her letters already having been returned, Ellet asked her brother "to demand of me the letters."[15] Her brother, Colonel William Lummis, did not believe that Poe had already returned them and threatened to kill him. In order to defend himself, Poe requested a pistol from Thomas Dunn English, who did not believe that Ellet ever sent Poe any letters.[14]

Frances Sargent Osgood

Osgood's husband, Samuel Stillman Osgood, threatened to sue Ellet unless she formally apologized. She retracted her statements in a letter to Osgood saying, "The letter shown me by Mrs Poe must have been a forgery created by Poe himself."[17] She put all the blame on Poe, suggesting the incident was because Poe was "intemperate and subject to acts of lunacy."[18] The rumor that Poe was insane was spread by Ellet and by other enemies of Poe and eventually reported in newspapers.[19] After Osgood reunited with her husband, the scandal died down.[18] Poe's sick wife Virginia, however, was deeply affected by the scandal. She had been receiving anonymous letters, possibly from Ellet, which reported her husband's alleged indiscretions as early as July 1845. On her deathbed Virginia claimed that "Mrs. E. had been her murderer."[20] As Poe described years later: "I scorned Mrs. E simply because she revolted me, and to this day she has never ceased her anonymous persecutions."[21] It is believed that Poe wrote the short story "Hop-Frog" as a sort of literary revenge on Ellet.

The Women of the American Revolution

Around 1846, Ellet began a major project in historical writing; to profile the life stories of women who sacrificed and were committed to the American Revolution. She did this by searching out private, unpublished letters and diaries, and by interviewing descendants of Revolutionary era and frontier women. She was the first historian of the Revolution to carry out such an effort.[8] She noted the "abundance of materials for the [masculine] history of action" and attempted to add balance by telling the feminine side, referring to the founding "mothers" as providing "the nurture in the domestic sanctuary of that love of civil liberty which afterwards kindled into a flame and shed light on the world."[22]

She found so much information about so many female patriots that the first edition of The Women of the American Revolution (1848) had to be published in two volumes. These volumes were well received and a third volume of additional material was published in 1850. Later historians consider these volumes her most important work.[11] In addition, Ellet also authored Domestic History of the American Revolution which summarized the same material in narrative form, which was also published in 1850.

Ellet told the stories of women from every colony and from all ranks of society, with the exception of African Americans, whose role she chose to ignore. Some of the women she wrote about, such as Martha Washington, Abigail Adams, Mercy Otis Warren and Ann Eliza Bleecker, among others, were famous in their own right. She also wrote of the women who were more obscure but equally valuable, the wives of heroes, who in the face of British encroachment, bravely raised children and defended their homes.[23] She wrote: "It is almost impossible now to appreciate the vast influence of woman's patriotism upon the destinies of the infant republic."[23]

Anthologist and critic Rufus Wilmot Griswold had aided Ellet in the production of the book and granted her access to the records of the New York Historical Society, of which he was a member. She did not acknowledge his assistance, angering the vindictive Griswold.[24] In a review Griswold said, "with the assistance of a few gentlemen more familiar than herself with our public and domestic experience, she has made a valuable and interesting work."[25]

Further work

Now an established and respected author, Ellet went on to write Family Pictures from the Bible in 1849. In 1850, she wrote Evenings at Woodlawn, a collection of German legends and traditions and Domestic History of the American Revolution, possibly the only history of the American Revolution told from the perspective of both men and women. From 1851 to 1857 she wrote Watching Spirits, Pioneer Women of the West, Novelettes of the Musicians and Summer Rambles in the West. This book was inspired by a boating trip along the Minnesota River in 1852. The local town, Eden Prairie, Minnesota, got its name from Ellet and has dedicated a nature trail in her honor.[26]

In 1857, Ellet published a 600-page encyclopedia on American home economics entitled The Practical Housekeeper. The guide, which seemed to target middle to upper class, was well organized into three parts: cooking, housekeeping and pharmaceutical concerns. Its contents included thousands of recipes and advice, with references to philosophers, scientists, and ancient civilizations. There were also 500 wood engraving illustrations. She wrote in the Preface "No complete system of Domestic Economy, within the limits of a convenient manual, has been published in this country."[8]

Later works included Women Artists in All Ages and Countries (1859), the first book of its kind to represent a history of women artists.[27] She wroteThe Queens of American Society (1867), and Court Circles of the Republic (1869), a look at the social life of eighteen presidents from George Washington to Ulysses S. Grant.[25]

Later years

In 1850, Ellet and her husband relocated to New York, where he spent his final years as a chemical consultant for the Manhattan Gas Company.

Ellet became involved with the divorce case between Rufus Griswold and his second wife, Charlotte Myers, in 1852. Ellet and Ann S. Stephens wrote to Myers telling her not to allow the divorce, as well as to Harriet McCrillis, who intended to marry Griswold after the divorce, to end her relationship with him.[28] After it was granted, Ellet and Stephens continued writing to Myers and convinced her to repeal the divorce on September 23, 1853.[29] On February 24, 1856, the appeal went to court, with Ellet and Stephens providing lengthy testimony against Griswold's character. Neither Griswold nor Myers attended and the appeal was dismissed.[30] When Griswold died in 1857, Sarah Anna Lewis, a friend and writer, suggested that Ellet had worsened Griswold's illness and that she "goaded Griswold to his death."[31]

In 1857 Ellet replaced Ann Stephens as literary editor of the New York Evening Express.[32] Ellet's husband died two years later in 1859. She continued to write, and although they had no children, she promoted charities for impoverished women and children by speaking in public to raise funds. An Episcopalian most of her life, she converted to Catholicism in her later years.[8] She died of Bright's disease in New York City on June 3, 1877,[2] and was buried beside her husband at Green-Wood Cemetery in Brooklyn.[3]


Ellet was the first historian to extensively write about the relationship of women to the American Revolution. She felt that women shaped history by their influence, which was done with "sentiment" and "feeling". This was so hard to define that she stated "History can do it no Justice."[33] Her book The Women of the American Revolution is still studied by historians today.

List of works

List of works taken from MSU Historic American project.[8]

Euphemio of Messina (1834) a translation
Poems, Translated and Original including the play Teresa Conarini (1835)
The Characters of Schiller (1839)
Joanna of Sicily (1840)
Rambles about the Country (1840)
The Women of the American Revolution (1848–50) (3 volumes)
Evenings at Woodlawn (1849)
Family Pictures from the Bible (1849)
Domestic History of the American Revolution (1850)
Watching Spirits (1851)
Nouvelettes of the Musicians (1851)
Pioneer Women of the West (1852)
Summer Rambles in the West (1853),
The Practical Housekeeper (1857)
Women Artists in All Ages and Countries (1859)
The Queens of American Society (1867)
Court Circles of the Republic (1869)


1.^ "Librarycompany". Elizabeth F. Ellet.
2.^ "Elizabeth Fries Lummis". Rootsweb.
3.^ Diamant, Lincoln (1998). Revolutionary Women in the War for American Independence. Westport, CT: Greenwood Publishing Group.
4.^ "New Jersey State Library". Official Register of the Officers and Men of New Jersey in the Revolutionary War by William Stryker.
5.^"Southern New York". MARDOS Memorial Library.
6.^ "New York Times Archives" (PDF). Elizabeth Fries Ellet Obituary. June 4, 1877.
7.^ "Britannica". Elizabeth-Fries-Lummis-Ellet.
8.^ "MSU Library". Historic American Project.
9.^ Drake, Francis Samuel (1872). Dictionary of American Biography. Boston: James R. Osgood and Co.. pp. 301.
10.^ Elfe, Wolfgang; James N. Hardin, Günther Holst (1992). The Fortunes of German Writers in America: Studies in Literary Reception. South Carolina: University of South Carolina Press. pp. 22. ISBN 0872497860.
11.^ "Ellet, E. F. (Elizabeth Fries), 1818-1877". Literature Online Biography.
12.^ "For women". Elizabeth F. Lummis Ellet.
13.^ "E.A. Poe Society". Lectures and Articles on Edgar Allan Poe.
14.^ Meyers, Jeffrey. Edgar Allan Poe: His Life and Legacy. New York Cooper Square Press, 1992: 191. 15.^ Silverman, Kenneth. Edgar A. Poe: Mournful and Never-ending Remembrance. New York: Harper Perennial, 1991: 290. ISBN 0060923318.
16.^ Silverman, Kenneth. Edgar A. Poe: Mournful and Never-ending Remembrance. New York: Harper Perennial, 1991: 291. ISBN 0060923318.
17.^ Moss, Sidney P. Poe's Literary Battles: The Critic in the Context of His Literary Milieu. Southern Illinois University Press, 1969: 215
18.^ Silverman, Kenneth. Edgar A. Poe: Mournful and Never-ending Remembrance. New York: Harper Perennial, 1991: 292. ISBN 0060923318.
19.^ Meyers, Jeffrey. Edgar Allan Poe: His Life and Legacy. New York Cooper Square Press, 1992: 192. ISBN 0684193701.
20.^ Moss, Sidney P. Poe's Literary Battles: The Critic in the Context of His Literary Milieu. Southern Illinois University Press, 1969: 213–214
21.^ Phillips, Mary E. Edgar Allan Poe: The Man. Volume II. Chicago: The John C. Winston Co., 1926: 1388
22.^ Douglas, Ann. The Feminization of American Culture. New York: Alfred A. Knopf, 1977: 184. ISBN 0-394-40532-3
23.^ "History From America's Most Famous Valleys". The Women of the American Revolution.
24.^ Bayless, Joy. Rufus Wilmot Griswold: Poe's Literary Executor, Hardcover ed. Nashville: Vanderbilt University Press, 1943. p. 143–144.
25.^ "Legacy Profile by Carol Mattingly". Elizabeth Fries Lummis Ellet (1818–1877).
26.^ Jerde, Lyn. "Elizabeth Fries Ellet Interpretive Trail is signed, dedicated", Eden Prairie Sun-Current. August 9, 2007. p. 9A
27.^ Langer, Sandra L.; Ellet, Elizabeth Fries Lummis (1980). "Women Artists in All Ages and Countries by Elizabeth Fries Lummis Ellet". Woman's Art Journal (Woman's Art Journal, Vol. 1, No. 2) 1 (2): 55–58. 28.^ Bayless, Joy. Rufus Wilmot Griswold: Poe's Literary Executor. Nashville: Vanderbilt University Press, 1943: 217–220.
29.^ Bayless, Joy. Rufus Wilmot Griswold: Poe's Literary Executor. Nashville: Vanderbilt University Press, 1943: 227.
30.^ Bayless, Joy. Rufus Wilmot Griswold: Poe's Literary Executor. Nashville: Vanderbilt University Press, 1943: 251.
31.^ Phillips, Mary E. Edgar Allan Poe: The Man. Volume II. Chicago: The John C. Winston Co., 1926: 1575
32.^ Meyer, Annie Nathan; Julia Ward Howe (1891). Woman's Work in America. New York: Henry Holt and Company. pp. 128.
33.^ Kerber, Linda (1997). Toward an Intellectual History of Women: Essays. Chapel Hill, NC: UNC Press. pp. 67–68.

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